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The Achan/Achor traditions: The parody of Saul as "Achan" in 1 Samuel 14:24-15:35

Matthew Michael
- 01 Jan 2013 - 
- Vol. 26, Iss: 3, pp 730-760
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TLDR
In this paper, the authors show that the narrator of 1 Sam 14:24-15:35 employs the popular Achan traditions in his scathing polemics against the Saulides, and leaves literary clues within the text itself that point to his representation of Saul as Achan.
Abstract
Within the cultic memory of ancient Israel, Achan is traditionally conceived as the villain par excellence, who according to the Dtr, took from the ~rx ban and brought about a decisive military defeat for Israel. By drawing salient parallels between Achan and Saul, the narrator of 1 Sam 14:24–15:35 employs the popular Achan traditions in his scathing polemics against the Saulides. Consequently, the narrator leaves literary clues within the text itself that point to his representation of Saul as Achan, and subtly reveal the “parodic intent” of these materials. Unfortunately, past studies have not fully engaged the “parodic” nature of this pericope, and hence have largely failed to note its narrative significance. A INTRODUCTION Parody is an important literary technique and its powerful effect lies primarily in its humorous and critical spirit. 2 This is readily seen in some of

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A Theory of Parody: The Teachings of Twentieth-Century Art Forms

TL;DR: Hutcheon et al. as mentioned in this paper published a book with the same title, "Litigation: A Guidebook for Women's Mental Health: 2000 -2010". Author: Linda Hutcheon Author's Year: 2000 Author: 2000 Pages: xx + 143 Publisher: University of Illinois Press Price: $14.95
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References
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Book

The Politics of Postmodernism

TL;DR: In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
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A Theory of Parody: The Teachings of Twentieth-Century Art Forms

TL;DR: The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.
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A commentary

Journal Article

A Theory of Parody: The Teachings of Twentieth-Century Art Forms

TL;DR: Hutcheon et al. as mentioned in this paper published a book with the same title, "Litigation: A Guidebook for Women's Mental Health: 2000 -2010". Author: Linda Hutcheon Author's Year: 2000 Author: 2000 Pages: xx + 143 Publisher: University of Illinois Press Price: $14.95
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