http://www.ced.berkeley.edu/downloads/research/LUP.parks.pdf

Urban green space, public health, and environmental justice: The challenge of making cities ‘just green enough’

List of Boxes. List of Tables and Figure. Preface. Abbreviations. Introduction. 1. Capitalism and the Capitalist Type of State. 2. The Keynesian Welfare National State. 3. The Schumpeterian Competition State. 4. Social Reproduction and the Workfare State. 5. The Political Economy of State Rescaling. 6. From Mixed Economy to Metagovernance. 7. Towards Schumpeterian Workfare Postnational Regimes?. Notes. References. Index.

The Future of the Capitalist State.

How might academic practices contribute to the exciting proliferation of economic experiments occurring worldwide in the current moment? In this paper we describe the work of a nascent research community of economic geographers and other scholars who are making the choice to bring marginalized, hidden and alternative economic activities to light in order to make them more real and more credible as objects of policy and activism. The diverse economies research program is, we argue, a performative ontological project that builds upon and draws forth a different kind of academic practice and subjectivity. Using contemporary examples, we illustrate the thinking practices of ontological reframing, re-reading for difference and cultivating creativity and we sketch out some of the productive lines of inquiry that emerge from an experimental, performative and ethical orientation to the world. The paper is accompanied by an electronic bibliography of diverse economies research with over 200 entries.

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Diverse economies: performative practices for 'other worlds'

The End of Capitalism (As We Knew It): A Feminist Critique of Political Economy

Judith ‘Jack’ Halberstam’s The Queer Art of Failure sets itself the task of ‘dismantl[ing] the logics of success and failure with which we currently live’ (2011: 2). To do so it constructs what Halberstam calls a ‘silly archive’, which ranges from the animated cartoon SpongeBob SquarePants to Yoko Ono and Marina Abramović’s performance art to Elfride Jelinek’s The Piano Teacher. Failure, for Halberstam, is not to be avoided, as it offers insights, ways of being, forms of politics and paradigms of resistance to current hegemonies. Working within the realm of queer theory and cultural studies, the book strangely echoes the 1970s sentiments of punk refusal as well as the global gay liberationists’ call for the invention of revolutionary sexualities outside of familial relations. Its dismantling of failure aims to show how winning is currently predicated upon losers. The inequitable neo-liberal ideologies that constitute today’s winners and losers relies on a basic assumption: those who lose did not work hard enough and thus deserve their fate. Halberstam asks us to consider the justice in winning in a global economy whose winners – the 1 per cent – do take all, leave very little for the rest of us, and next to nothing for those at the bottom end of the economic hierarchy. With ‘low theory’, an approach adapted from Stuart Hall’s reading of Antonio Gramsci, Halberstam brings together an eccentric array of sources. Low theory, for Halberstam, aims broadly and looks to arrive at counter-hegemonic options that are widely accessible. He defines low theory as less beholden to a particular telos and, again citing Hall, sees it ‘not as an end onto itself but “a detour en route to something else”’ (Halberstam 2011: 15). In a book about failure, it follows that Halberstam envisions low theory as a means to eschew goal-oriented politics and social theories. It is ‘open’ to ‘unpredictable outcomes’ and is ‘adaptable, shifting, and flexible’ (2011: 16). Halberstam predicates his low theory on what Hall describes as Gramsci’s ‘open’ Marxism. According to Hall, Gramsci’s theories were derived from the application of Marxist ideas to the real political problems that he faced in life, not from a deterministic application of theory in service of a teleological political project. Halberstam inserts himself into this logic by envisioning an ‘open pedagogy’ that is similarly amenable to questioning, that is bottom-up in its perspective and that ‘detaches itself from prescriptive methods, fixed logics, and epistemes’; instead, it ‘orients us toward problem-solving knowledge or social visions of radical justice’ (2011: 16–17). A large part of Halberstam’s silly archive is animated and stopmotion movies of the past decade, designed, made and marketed for mass audiences, mainly comprising children. Halberstam calls these movies ‘Pixarvolt’, finding in the works of Pixar and DreamWorks recipes for collective rebellion against capitalist economies and power and, in short, a ‘revolt’ against the status quos of neo-liberal humanism. These films, Halberstam argues, are made for children, who he sees as kinds of failed subjects, people for whom the world is not designed, who are clumsy and frustrated with various forms of authority, who are ready and willing to view the world in new ways, and for whom a revolution is a promising option. In these films, Halberstam sees ‘a rich technological field for rethinking collectivities, transformation, identification, animality, and posthumanity’ (2011: 174). He notes that Pixarvolt’s plots usually revolve around a struggle between human and non-human creatures in relationships that ‘resemble what used to be called “class struggle,” and they offer numerous scenarios of revolt and alternatives to grim, mechanical, industrial cycles of production and consumption’ (Halberstam 2011: 29). Pixarvolt films also focus on escapes from captivity that culminate in utopian dreams of freedom, elements in which he finds neither childishness nor a trajectory towards adult freedom but the dreams and means of social transformation. Key to Halberstam’s analysis is the counter-intuitive connections he argues the films create between communitarian revolt and queer forms of embodiment. Pixarvolt films, Halberstam argues, can provide new modes of thinking and new models of family, parenting and sociality. ‘While many Marxist scholars have characterized and dismissed queer politics as “body politics,”’ Halberstam argues, ‘these films recognize that alternative forms of embodiment and desire are central to the struggle against corporate domination’ (2011: 29). Halberstam concedes that there are no guarantees that animated

The Queer Art of Failure

The neoliberal university requires high productivity in compressed time frames. Though the neoliberal transformation of the university is well documented, the isolating effects and embodied work conditions of such increasing demands are too rarely discussed. In this article, we develop a feminist ethics of care that challenges these working conditions. Our politics foreground collective action and the contention that good scholarship requires time: to think, write, read, research, analyze, edit, organize, and resist the growing administrative and professional demands that disrupt these crucial processes of intellectual growth and personal freedom. This collectively written article explores alternatives to the fast-paced, metric-oriented neoliberal university through a slow-moving conversation on ways to slow down and claim time for slow scholarship and collective action informed by feminist politics. We examine temporal regimes of the neoliberal university and their embodied effects. We then consider strategies for slowing scholarship with the objective of contributing to the slow scholarship movement. This slowing down represents both a commitment to good scholarship, teaching, and service and a collective feminist ethics of care that challenges the accelerated time and elitism of the neoliberal university. Above all, we argue in favor of the slow scholarship movement and contribute some resistance strategies that foreground collaborative, collective, communal ways forward.

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For Slow Scholarship: A Feminist Politics of Resistance through Collective Action in the Neoliberal University

While sustainability and green urbanism have become buzzwords in urban policy circles, too little analysis has focused on who gets to decide what green looks like. Many visions of the green city seem to have room only for park space, waterfront cafes, and luxury LEED-certified buildings, prompting concern that there is no place in the “sustainable” city for industrial uses and the working class. We will use the case study of Newtown Creek in Brooklyn, New York, to explore how different visions for the green city are enacted through activism and policy-making. Neighbourhood residents and business owners seem to be advocating a strategy we call “just green enough”, in order to achieve environmental remediation without environmental gentrification. Following the crash of both the financial and real estate markets, attempts to construct a sustainable city that is economically diverse and socially just seem to be taking hold. We interrogate how urban sustainability can be used to open up a space for diversity ...

Just green enough: contesting environmental gentrification in Greenpoint, Brooklyn

Just Green Enough : Urban Development and Environmental Gentrification

Global environmental standards are emerging as an increasingly important influence on the environmental performance of industry. In this chapter, we develop a new definition and a categorization of global environmental standards that reflect the different agents involved in their development and the particular network architecture through which environmental standards achieve global reach. We examine new forms of global environmental standards, such as firm-based standards and standards initiated by third-party organizations, such as nongovernmental organizations (NGOs) and industry associations. The growing interest in global environmental standards is shown to arise from processes of economic globalization as well as from increasing external pressure on firms and industries with respect to environmental concerns. The chapter reviews what is known about the prevalence of different types of global environmental standards and the efficacy of these standards in influencing the environmental performance of f...

https://www.annualreviews.org/doi/pdf/10.1146/annurev.energy.32.031306.102415

Global environmental standards for industry

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Trina Hamilton

Papers

For Slow Scholarship: A Feminist Politics of Resistance through Collective Action in the Neoliberal University

Just green enough: contesting environmental gentrification in Greenpoint, Brooklyn

Just Green Enough : Urban Development and Environmental Gentrification

Global environmental standards for industry

It's time to recognize how men's careers benefit from sexually harassing women in academia: