Institution
Rijksmuseum
Archive•Amsterdam, Netherlands•
About: Rijksmuseum is a archive organization based out in Amsterdam, Netherlands. It is known for research contribution in the topics: Oil paint & Painting. The organization has 70 authors who have published 111 publications receiving 1491 citations. The organization is also known as: Amsterdam. Rijksmuseum & Rijksmuseum Amsterdam.
Topics: Oil paint, Painting, Cultural heritage, Bronze, Computer science
Papers published on a yearly basis
Papers
More filters
••
TL;DR: The first commercially available XRF scanner for paintings, consisting of an X-ray tube mounted with a Silicon-Drift (SD) detector on a motorized stage to be moved in front of a painting, was presented in this article.
Abstract: Scanning macro-X-ray fluorescence analysis (MA-XRF) is rapidly being established as a technique for the investigation of historical paintings. The elemental distribution images acquired by this method allow for the visualization of hidden paint layers and thus provide insight into the artist's creative process and the painting's conservation history. Due to the lack of a dedicated, commercially available instrument the application of the technique was limited to a few groups that constructed their own instruments. We present the first commercially available XRF scanner for paintings, consisting of an X-ray tube mounted with a Silicon-Drift (SD) detector on a motorized stage to be moved in front of a painting. The scanner is capable of imaging the distribution of the main constituents of surface and sub-surface paint layers in an area of 80 by 60 square centimeters with dwell times below 10 ms and a lateral resolution below 100 μm. The scanner features for a broad range of elements between Ti (Z = 22) and Mo (Z = 42) a count rate of more than 1000 counts per second (cps)/mass percent and detection limits of 100 ppm for measurements of 1 s duration. Next to a presentation of spectrometric figures of merit, the value of the technique is illustrated through a case study of a painting by Rembrandt's student Govert Flinck (1615–1660).
168 citations
••
TL;DR: It is shown how Semantic Web technologies can be deployed to (partially) solve three important challenges for recommender systems applied in an open Web context to deal with the complexity of various types of relationships for recommendation inferencing.
112 citations
••
TL;DR: In this paper, the photocatalytic degradation of an organic dye, acid blue 9, in an aqueous solution containing titanium dioxide, is followed over time by means of UV-Vis spectrophotometry.
85 citations
••
TL;DR: A Web-based museum Tour Wizard based on the user's interests and the Mobile Guide that converts the tours to a mobile device used in the physical museum space are presented, which support a 'virtuous circle' of the museum visit.
Abstract: Web 2.0 — the perceived second generation of the World Wide Web that aims to improve collaboration, sharing of information and interoperability — enables increasing access to digital collections of museums. The expectation is that more and more people will spend time preparing their visit before actually visiting the museum and look for related information reflecting on what they have seen or missed after visiting the museum. It can also be expected that museum curators want to enhance visitors' museum experiences in the more personalized, intensive and engaging way promised by an improved Web. In other words, to keep their visitors, they should adopt an immersive museum environment that combines the museum Web site (online) with the physical museum space (on-site). In this context, the CHIP (Cultural Heritage Information Presentation) project offers tools to the users to be their own curators, e.g. browsing the online collections, planning a personalized museum tour suiting their art interests, g...
79 citations
••
11 Nov 2007TL;DR: The main objective of the CHIP project is to demonstrate how Semantic Web technologies can be deployed to provide personalized access to digital museum collections by exploring the potential of applying adaptation techniques to provide customized experience for the museum visitors both on the Web site and in the museum.
Abstract: The main objective of the CHIP project is to demonstrate how Semantic Web technologies can be deployed to provide personalized access to digital museum collections. We illustrate our approach with the digital database ARIA of the Rijksmuseum Amsterdam. For the semantic enrichment of the Rijksmuseum ARIA database we collaborated with the CATCH STITCH project to produce mappings to Iconclass, and with the MultimediaN E-culture project to produce the RDF/OWL of the ARIA and Adlib databases. The main focus of CHIP is on exploring the potential of applying adaptation techniques to provide personalized experience for the museum visitors both on the Web site and in the museum.
77 citations
Authors
Showing all 74 results
Name | H-index | Papers | Citations |
---|---|---|---|
Koen Janssens | 55 | 406 | 11791 |
William A. Sethares | 34 | 191 | 4224 |
Katrien Keune | 20 | 72 | 1257 |
Péter Reischig | 19 | 37 | 1223 |
Annelies van Loon | 13 | 36 | 574 |
Jennifer Mass | 13 | 32 | 510 |
Joen J. Hermans | 12 | 30 | 482 |
Victor Gonzalez | 11 | 24 | 306 |
Chris Dijkshoorn | 9 | 19 | 202 |
Petria Noble | 9 | 27 | 251 |
Lambert Baij | 8 | 10 | 211 |
Marta Domínguez-Delmás | 8 | 20 | 217 |
Arie Wallert | 7 | 11 | 160 |
Geertje Jacobs | 6 | 6 | 134 |
B.A. van Driel | 5 | 6 | 148 |