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Social Network Analysis of Alice in Wonderland

TLDR
This paper annotates Lewis Carroll's Alice in Wonderland using a well-defined annotation scheme which has been used in previous computational models that extract social events from news articles and builds novel types of networks in which links between characters are different types of social events.
Abstract
We present a network analysis of a literary text, Alice in Wonderland. We build novel types of networks in which links between characters are different types of social events. We show that analyzing networks based on these social events gives us insight into the roles of characters in the story. Also, static network analysis has limitations which be- come apparent from our analysis. We propose the use of dynamic network analysis to over- come these limitations. tify these limitations, few have done so with a strict and specific rubric for categorizing interactions. In this paper, we annotate Lewis Carroll's Alice in Wonderland using a well-defined annotation scheme which we have previously developed on newswire text Agarwal et al. (2010). It is well suited to deal with the aforementioned limitations. We show that using different types of networks can be useful by al- lowing us to provide a model for determining point- of-view. We also show that social networks allow characters to be categorized into roles based on how they function in the text, but that this approach is limited when using static social networks. We then build and visualize dynamic networks and show that static networks can distort the importance of char- acters. By using dynamic networks, we can build a fuller picture of how each character works in a liter- ary text. Our paper uses an annotation scheme that is well- defined and has been used in previous computational models that extract social events from news articles (Agarwal and Rambow, 2010). This computational model may be adapted to extract these events from literary texts. However, the focus of this paper is not to adapt the previously proposed computational model to a new domain or genre, but to first demon- strate the usefulness of this annotation scheme for the analysis of literary texts, and the social networks derived from it. All results reported in this paper are based on hand annotation of the text. Further- more, we are investigating a single text, so that we do cannot draw conclusions about the usefulness of our methods for validating theories of literature. We summarize the contributions of this paper: • We manually extract a social network from Al-

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Proceedings Article

An Annotated Dataset of Coreference in English Literature

TL;DR: A new dataset of coreference annotations for works of literature in English, covering 29,103 mentions in 210,532 tokens from 100 works of fiction published between 1719 and 1922, is presented.
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Automatic Extraction of Social Networks from Literary Text: A Case Study on Alice in Wonderland

TL;DR: It is shown that while the extracted unweighted network is not statistically distinguishable from the un-weighted gold network according to popularly used network measures, the system trained on a news corpus using tree kernels and support vector machines beats the baseline systems by a statistically significant margin.
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Character-to-Character Sentiment Analysis in Shakespeare's Plays

TL;DR: An automatic method for analyzing sentiment dynamics between characters in plays, which can be extended to unstructured texts (i.e. novels), and results of experiments on Shakespeare’s plays are presented.
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SINNET: Social Interaction Network Extractor from Text

TL;DR: SINNET is able to extract a social network from unstructured text and nodes in the network are people and links are social events.
Proceedings ArticleDOI

Extracting Sentiment Networks from Shakespeare's Plays

TL;DR: It is hypothesize that changing polarities between characters can be modeled as edge weights in a dynamic social network- a "sentiment network"- which can be used to distinguish a document's genre (tragedies versus comedies), detect a given character's enemies and allies, and model the overall emotional development of a play.
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Journal ArticleDOI

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