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Dean Keith Simonton

Researcher at University of California, Davis

Publications -  371
Citations -  18553

Dean Keith Simonton is an academic researcher from University of California, Davis. The author has contributed to research in topics: Creativity & Genius. The author has an hindex of 66, co-authored 369 publications receiving 17400 citations. Previous affiliations of Dean Keith Simonton include Florida State University & University of California, Berkeley.

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Formal Education, Eminence and Dogmatism: The Curvilinear Relationship

TL;DR: The relationship between formal education and creativity was investigated in two studies as discussed by the authors, and it was suggested that the optimal amount of formal education for maximal creative potential is a college eXperience.
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Can super smart leaders suffer from too much of a good thing? The curvilinear effect of intelligence on perceived leadership behavior.

TL;DR: A direct empirical test of a precise curvilinear model of the intelligence-leadership relation is tested, indicating that the optimal IQ for perceived leadership will appear at about 1.2 standard deviations above the mean IQ of the group membership.
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After Einstein: Scientific genius is extinct.

TL;DR: Dean Keith Simonton fears that surprising originality in the natural sciences is a thing of the past, as vast teams finesse knowledge rather than create disciplines.
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Eminence, IQ, Physical and Mental Health, and Achievement Domain Cox's 282 Geniuses Revisited

TL;DR: Examination of relationships among achieved eminence, IQ, early physical and mental health, and achievement domain showed that eminence is a positive function of IQ and that IQ is apositive function of mental health and a negative function of physical health, implying an indirect effect of physical andmental health on eminence.
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Cinematic success criteria and their predictors: The art and business of the film industry.

TL;DR: This paper reviewed the empirical research on the factors underlying the success of feature-length narrative films and examined the three main criteria by which a film's success can be evaluated: critical evaluations (both early and post-theatrical run), financial performance (including first weekend and gross), and movie awards (including dramatic, visual, technical and music categories).