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Open Access

How Last.fm Illustrates the Musical World: User Behavior and Relevant User-Generated Content

TLDR
This paper presents the results of an observational user study followed by a large-scale online survey, which investigated the behavior and the relevant content generated by the users of Last.fm and developed a first prototype based on the implications for improving semantic understanding of collaborative tags.
Abstract
Over the last few years, online multimedia exchange platforms have experienced a rapid growth. They allow users to share their own content and access other’s in turn and hence form very large public collections of User-Generated Content. While research is mostly looking at photo sharing platforms, such as Flickr, much less is known about online music communities. In this paper we present the results of an observational user study followed by a large-scale online survey, which investigated the behavior and the relevant content generated by the users of Last.fm, one of the most popular music communities. Based on the analysis of the results, we present implications for the usage of UserGenerated Content in online music communities. Then we developed a first prototype based on the implications for improving semantic understanding of collaborative tags. We believe our study gives insights for developing information visualization and recommender systems for online music communities. Author Keywords Online music community, User-Generated Content, user behavior, Last.fm.

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Dissertation

“Now Playing. You”: Big Data and the Production of Music Streaming Space.

Robert Prey
Abstract: space prevailed unchallenged from this point forward. Radio social space has never disappeared. At various times it has even been re-invigorated. For example, while FM radio is now the preferred destination for radio advertisers, it appeared in its early days as a challenge to the commercial “abstract space” of AM radio. 117 This is particularly so for the generation that came of age in the 1960s. FM radio of the late 1960s was underground, often anti-corporate, and musically diverse. While it attracted a broad audience amongst youth, the educated, and the upwardly mobile, FM radio stations initially had a difficult time monetizing this listenership. Once again, metrics – or the lack there of – contributed to this situation. 118 Susan Douglas (2004, 277) quotes an ad executive who claimed that advertisers were hesitating to put 117 Charles Siepmann’s 1946 book Radio’s Second Chance put its hope in “the radio of the future” FM radio – as an alternative to commercial AM radio. 118 As late as October 1974, FM radio could muster only 14 percent of total radio revenues, even though it had a one third share of total radio listening (Douglas 2004, 277).
Dissertation

Exploratory browsing: enhancing the browsing experience with media collections.

Yaxi Chen
TL;DR: This dissertation presents a new model of Exploratory Browsing, covering the full range of exploratory activities around media collections, and investigates this model in different usage contexts and develops eight prototypes.
Patent

Method, System and Device for Connecting Similar Users

TL;DR: In this paper, the authors propose a method for automatically connecting similar users based on live audio listening information, where the similarity between users can be based on audio users are currently listening to, so that the list of similar users comprises a list of users currently reading the same audio as the particular user.
Journal ArticleDOI

TagClusters: Enhancing Semantic Understanding of Collaborative Tags

TL;DR: A visualization named TagClusters is developed, in which tags are clustered into different groups, with font size representing tag popularity and the spatial distance indicating the semantic similarity between tags, illustrating the underlying hierarchical structure and semantic relations between groups.
Book ChapterDOI

Young People’s Musical Engagement and Technologies of Taste

TL;DR: In this paper, a large-scale, empirical study explores how taste and sociability are highly intertwined, with boundaries becoming increasingly blurred between people and technology, music and genre definitions, and artist and fan.
References
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Proceedings ArticleDOI

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