1. The childhood of a genius 2. An elite education: student, author, soldier, teacher 3. Teaching in the lycee, 1931-1939 4. First triumph: The Imagination 5. Consciousness as imagination 6. The necessity of contingency: Nausea 7. The war years, 1939-1944 8. Bad faith in human life: Being and Nothingness 9. Existentialism: the fruit of liberation 10. Ends and means: existential ethics 11. Means and ends: political existentialism 12. A theory of history: Search for a Method 13. Individuals and groups: Critique of Dialectical Reason 14. A second ethics? 15. Existential biography: Flaubert and others Conclusion: the Sartrean imaginary, chastened but indomitable.

Le pacte autobiographique

Sartre: A Philosophical Biography

/pdf/the-ethical-and-political-function-of-revolt-in-julia-2hieooq28f.pdf

The ethical and political function of revolt in Julia Kristeva's novels

FEMINISM AND TRANSLATION: A CASE STUDY OF TWO TRANSLATIONS OF MARIAMA BÂ: UNE SI LONGUE LETTRE (SO LONG A LETTER) AND UN CHANT ÉCARLATE (SCARLET SONG). Title in French: FÉMINISME ET TRADUCTION: UNE ÉTUDE DE CAS DE DEUX TRADUCTIONS DES ROMANS DE MARIAMA BÂ: UNE SI LONGUE LETTRE ET UN CHANT ÉCARLATE by ITANG EKPE AMISSINE A mini-dissertation submitted in partial fulfilment of the requirements for the degree: MASTERS IN APPLIED LANGUAGE STUDIES, OPTION TRANSLATION AND INTERPRETATION AT THE UNIVERSITY OF PRETORIA FACULTY OF HUMANITIES SUPERVISOR: PROFESSOR NAÒMI MORGAN CO SUPERVISOR: MARCELLINE MASSOUA

background

Feminism and translation : a case study of two translations of Mariama Bâ : une si longue lettre (so long a letter) and un chant écarlate (scarlet song)

Of all the composers of his generation, Chopin is the one usually regarded as least influenced by Beethoven. The notion that Chopin remained aloof from Beethoven, although it surely arose from genuine differences between the two composers, still owes much of its endurance to critical practice. Perhaps unwittingly, critics have tended to mythologize these two composers in opposing ways: Beethoven, the heroic figure larger than life; Chopin, more the antihero, a creature too fine for this cruel world. The "life and works" genre of criticism reinforces a similar separation as it narrates the historical record on Beethoven into three periods but that on Chopin into styles and genres, often relegating to one small chapter the influence of Austro-German traditions on Chopin's music. In addition, there is the related tendency to regard influence as manifested principally by continuities of styles and materials, a tendency that has led critics to estimate the influence on Chopin of a charming Field, or shallow Moscheles over that of such a towering figure as Beethoven.' Of these critical habits, the last is certainly the most pernicious. We are fortunate, therefore, to see new models of influence emerging; in particular I have in mind Kevin Korsyn's innovative work that engages Harold Bloom's theories of poetry and Mikhail Bahktin's theories of dialogism in lan-

Chopin and the Ghost of Beethoven

[A l'origine dans / Was originally part of : Theses et memoires - FAS - Departement de litterature comparee]

Encountering the suffering other in illness narratives : between the memory of suffering and the suffering memory

American magazine of international literature and culture

Le pacte autobiographique

Citations

Sartre: A Philosophical Biography

The ethical and political function of revolt in Julia Kristeva's novels

Feminism and translation : a case study of two translations of Mariama Bâ : une si longue lettre (so long a letter) and un chant écarlate (scarlet song)

Chopin and the Ghost of Beethoven

Encountering the suffering other in illness narratives : between the memory of suffering and the suffering memory

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