Space-time-frequency (STF) coding for MIMO-OFDM systems
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Citations
Multiple-antenna techniques for wireless communications - a comprehensive literature survey
Multiuser MIMO-OFDM for Next-Generation Wireless Systems
Quadrature Amplitude Modulation: From Basics to Adaptive Trellis-Coded, Turbo-Equalised and Space-Time Coded OFDM, CDMA and MC-CDMA Systems
Space-Time/Frequency Coding for MIMO-OFDM in Next Generation Broadband Wireless Systems
Turbo Coding, Turbo Equalisation and Space-Time Coding: EXIT-Chart-Aided Near-Capacity Designs for Wireless Channels
References
On Limits of Wireless Communications in a Fading Environment when UsingMultiple Antennas
Space-time codes for high data rate wireless communication: performance criterion and code construction
Layered space-time architecture for wireless communication in a fading environment when using multi-element antennas
On the capacity of OFDM-based spatial multiplexing systems
On the Capacity of Radio Communication Systems with Diversity in a Rayleigh Fading Environment
Related Papers (5)
Frequently Asked Questions (10)
Q2. How many tones are lost in a single coder?
The authors see that using ST coders of size 4 (2 antennas and 2 tones) the loss in 10%-outage capacity is less than 0.1 bit/s/Hz, while coding on each tone separately results in a loss of 0.2 bits/s/Hz.
Q3. What is the way to eliminate the capacity fluctuations due to fading?
Coding across all available channels obviously allows us to essentially eliminate the capacity fluctuations due to fading, by exploiting the inherent diversity among tones and antennas, and thus achieve outage capacities that are close to the mean capacities.
Q4. What is the loss in outage capacity for a group of size?
When the separation between adjacent tones inone group is equal to the coherence width, the loss in outage capacity (compared to the coding across all 64 tones) is negligible.
Q5. What is the coding requirement for a time-dispersive channel?
As pointed out in [7], coding across the tones is required to exploit the inherent frequency diversity in a time-dispersive channel.
Q6. What is the definition of a standard coder?
Any standard coder (e.g., Reed–Solomon code) that is applied to the data stream before serial/parallel conversion distributes the redundancy across tones and thus exploits frequency diversity in some way [8].
Q7. Why is the spacing between the tones so small?
Due to restrictions on the duration of the cyclic prefix, the spacing between the tones is usually much smaller than the coherence bandwidth.
Q8. What is the fading of the signals at the different antenna elements?
The fading of the signals at the different antenna elements is assumed to be identically distributed, but not necessarily independent [9], [10].
Q9. What is the advantage of coding across tones?
the information is distributed onto parallel carriers that are “almost”independently fading, resulting in a high degree of diversity.
Q10. What is the way to reduce the complexity of a MIMO-OFDM system?
The authors thus suggest to perform coding only across tones that are separated by approximately the coherence bandwidth, i.e., to code across a group of tones (see Fig. 2) that is defined as , for each .