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Open AccessJournal ArticleDOI

The neuronal representation of pitch in primate auditory cortex

Daniel Bendor, +1 more
- 25 Aug 2005 - 
- Vol. 436, Iss: 7054, pp 1161-1165
TLDR
The existence of neurons in the auditory cortex of marmoset monkeys that respond to both pure tones and missing fundamental harmonic complex sounds with the same f0, providing a neural correlate for pitch constancy are shown.
Abstract
Pitch perception plays a critical role in identifying and segregating auditory objects 1 , especially in the context of music and speech. The perception of pitch is not unique to humans and has been experimentally demonstrated in several animal species 2,3 . Pitch is the subjective attribute of a sound’s fundamental frequency (f0), that is determined by both the temporal regularity and average repetition rate of its acoustic waveform. Spectrally dissimilar sounds can have the same pitch if they share a common f0. Even when the acoustic energy at f0 is removed (“missing fundamental”) the same pitch is still perceived 1 . Despite its importance for hearing, how pitch is represented in the cerebral cortex remains unknown. Here we show the existence of neurons in the auditory cortex of marmoset monkeys that respond to both pure tones and missing fundamental harmonic complex sounds (MFs) with the same f0, providing a neural correlate for pitch constancy 1 . These pitchselective neurons are located in a restricted low-frequency cortical region near the anterolateral border of primary auditory cortex (AI), consistent with the location of a pitch-selective area identified in recent human imaging studies 4,5 .

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Citations
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Maps and streams in the auditory cortex: nonhuman primates illuminate human speech processing.

TL;DR: This paper will demonstrate how the understanding of speech perception, one important facet of language, has profited from findings and theory in nonhuman primate studies, and identify roles for different cortical areas in the perceptual processing of speech.
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When the brain plays music: auditory–motor interactions in music perception and production

TL;DR: This work reviews the cognitive neuroscience literature of both motor and auditory domains, highlighting the value of studying interactions between these systems in a musical context, and proposes some ideas concerning the role of the premotor cortex in integration of higher order features of music with appropriately timed and organized actions.
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Why would Musical Training Benefit the Neural Encoding of Speech? The OPERA Hypothesis.

TL;DR: The OPERA hypothesis is used to account for the observed superior subcortical encoding of speech in musically trained individuals, and to suggest mechanisms by which musical training might improve linguistic reading abilities.
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Temporal coherence and attention in auditory scene analysis

TL;DR: This work argues that stream formation depends primarily on temporal coherence between responses that encode various features of a sound source and postulates that only when attention is directed towards a particular feature do all other temporally coherent features of that source become bound together as a stream that is segregated from the incoherent features of other sources.
Journal ArticleDOI

Cortical entrainment to continuous speech: functional roles and interpretations

TL;DR: In this article, a few hypotheses about the functional roles of cortical entrainment to speech, e.g., encoding acoustic features, parsing syllabic boundaries, and selecting sensory information in complex listening environments, are reviewed.
References
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Book

The Cognitive Neurosciences

TL;DR: The fourth edition of The Cognitive Neurosciences continues to chart new directions in the study of the biologic underpinnings of complex cognition -the relationship between the structural and physiological mechanisms of the nervous system and the psychological reality of the mind as discussed by the authors.
Book

An Introduction to the Psychology of Hearing

TL;DR: In this paper, the nature of sound and the structure and function of the auditory system are discussed, including absolute thresholds, frequency selectivity, masking and the critical band, and the perception of loudness.
Journal ArticleDOI

The Processing of Temporal Pitch and Melody Information in Auditory Cortex

TL;DR: The results support the view that there is hierarchy of pitch processing in which the center of activity moves anterolaterally away from primary auditory cortex as the processing of melodic sounds proceeds.
Journal ArticleDOI

An optimum processor theory for the central formation of the pitch of complex tones

TL;DR: A theory was formulated for the central formation of the pitch of complex tones, i.e., periodicity pitch, which is a logical deduction from statistical estimation theory of the optimal estimate for fundamental frequency.
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