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How Confucian are Contemporary Chinese? Construction of an Ideal Type and its Application to Three Chinese Communities

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TLDR
In this paper, the authors construct an ideal type of Confucian actors, which is then applied to a survey of three Chinese communities, trying to formulate a new perspective in depicting the character of modern Chinese actors, measured in terms of their dynamic proximity to the Confucians ideal type.
Abstract
As a major source of social values in East Asia, Confucianism assumes especial significance amidst the proliferation of instrumental rationality in modern societies. This study attempts to answer the question: how Confucian are contemporary Chinese? By way of constructing an ideal type of Confucian actors, which is then applied to a survey of three Chinese communities, this study tries to formulate a new perspective in depicting the character of modern Confucian actors, measured in terms of their dynamic proximity to the Confucian ideal type. Our approach marks a shift of emphasis, both empirically and methodologically, compared with previous work on this topic. On the empirical side, our study breaks with the long-standing, classical distinction between the 'gentleman' and the 'commoner' prevalent in Confucian discourse. Degrees of proximity to Confucian values are viewed in representational—i.e. non-evaluative—terms. In constructing the ideal type of Confucian actors, we distinguish between formal and substantive values in Confucianism. This analytical distinction allows our study to demonstrate the continued relevance of Confucianism. While substantive values change over time, the formal, analytical core that captures the essence of Confucianism continues to survive in the face of the vicissitudes of modernity and the spread of instrumental rationality.

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Toward a social psychology of globalization

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Moderating effect of Zhong Yong on the relationship between creativity and innovation behaviour

TL;DR: In this paper, the authors examined the moderating effect of Zhong Yong on the relationship between perceived creativity and innovation behavior in Chinese companies and found that for people higher on Zhong-yong, their creativity was not correlated with innovation behavior; for people less immersed in Zhong yong, this correlation is significant.
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Explaining self-esteem differences between Chinese and North Americans: Dialectical self (vs. self-consistency) or lack of positive self-regard

TL;DR: This article found that the difference in self-esteem between East Asians and North Americans was driven primarily by Chinese participants' greater tendency to agree with negatively worded selfesteem items and that because of the motivation to maintain consistent responses, North Americans' response pattern varied depending on whether the first item in the selfesteem measur...

Guanxi, Networks and Economic Development: The Impact of Cultural Connections

TL;DR: In this article, the authors explore the mechanics of guanxi in an organizational setting, focusing on the use of interpersonal relationships within Chinese firms to discover how firms initiate, build and use Guanxi networks.