scispace - formally typeset
Open AccessBook

The Politics of Postmodernism

Reads0
Chats0
TLDR
In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.

read more

Citations
More filters
Journal ArticleDOI

La manzana de piedra de Albalucía Ángel: entre "Barbazul" y el desmantelamiento de paradigmas patriarcales

TL;DR: La manzana de piedra, an unpublished play by Angel, fits into the category of texts that explore "writing beyond the ending" (R. Blau DuPlessis) as mentioned in this paper.
Book ChapterDOI

The Power of Origins

TL;DR: Leishman argues that the phenomenon of consumer nationalism is not ahistorical in nature and that iconic national brands rely heavily on a sense of history, with carefully curated backstories and origin myths providing a commercial and national legitimacy as mentioned in this paper.
Posted Content

On the Question of Overlap between the Post-Colonial and the Postmodern

TL;DR: This paper conducted a comparative study of the possible overlaps between post-modernism and post-colonialism from theoretical and literary perspectives, and concluded that it is important not to take the idea of overlap at a face value.
Journal ArticleDOI

Revolutionary Closure in A. S. Byatt’s Neo-Victorian Fiction

Armelle Parey
TL;DR: The authors examine the notion de fermeture dans la fiction neo-victorienne d'A.S.Byatt, genre qui est generalement considere comme timide ou reactionnaire dans son traitement de la fin, se contentant de reproduire le type de fin fermee communement associe au roman victorien.