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The Politics of Postmodernism

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TLDR
In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.

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Journal ArticleDOI

Parodying Mao’s Image: Caricaturing in Contemporary Chinese Art

Minna Valjakka
- 01 Dec 2011 - 
TL;DR: Wang et al. as mentioned in this paper show that the common assumptions that parodying Mao is equivalent to political pop or that political pop represents pastiche are oversimplifications of this complex phenomenon, especially when caricaturing is used as a method to violate the visual norms.
Dissertation

L'hybridation dans l'oeuvre de Jeannette Winterson

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Journal ArticleDOI

Bach and Cigarettes: Imagining the Everyday in Jarmusch's Int. Trailer. Night

TL;DR: Jarmusch's Int. Night (2002) as discussed by the authors is a short, almost plotless experimental film Bach sounds outside the frameworks that typically motivate the diegetic presence of so-called ‘classical music' in cinema, detached from the places and signifiers of high art and from high-level meanings and pointed occurrences.