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The Politics of Postmodernism

TLDR
In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.

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Journal ArticleDOI

Fictionality and Mimesis: Between Narrativity and Fictional Worlds

Richard Walsh
- 10 Jan 2003 - 
TL;DR: The authors make a distinction between the epistemic and linguistic perspectives of fiction and fictional worlds theories, and make some progress toward a fuller characterization of the rhetorical nature of fictionality by identifying what is excluded by the perspectives of a generalized narrativity and fictional world theory.
Journal Article

Cultural Politics, Postmodernism, and White Guys: Affect in Gravity's Rainbow

Patrick McHugh
- 01 Apr 2001 - 
TL;DR: Gravity's Rainbow as mentioned in this paper is a classic post-modern novel that explores cultural politics within a multi-layered, discontinuous collection of narratives that are often boisterous, preposterous, and slapstick.
Journal ArticleDOI

Holy Terrors: Latin American Women Perform

TL;DR: The Holy Terrors project as mentioned in this paper presents exemplary original work by fourteen of Latin America's foremost contemporary women theatre and performance artists, including one-act plays, manifestos, and lyrics.