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The Politics of Postmodernism

TLDR
In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.

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Journal ArticleDOI

The Enchantment of Commodified Desire in Post-Revolutionary China: Rain Clouds over Wushan (1996) as Post-Socialist Film

Xiaoping Wang
- 01 Jan 2014 - 
TL;DR: Rain Clouds over Wushan (Wushan Yunyu 巫山云雨, also known as In Expectation ) was a key film in the Chinese avant-garde movement of the 1990s as mentioned in this paper.

How real is real: attitudes towards realism in selected post-war British fiction

TL;DR: The authors discuss the implication and tenets of realism, its progress and changes, in selected works of post-war British fiction, including Graham Greene's The Power and the Glory, Mervyn Peake's Gormenghast, and Ian McEwan's Atonement.
Book ChapterDOI

Of Magical Gourds and Secret Senses

TL;DR: In the post-postmodern context in which we continue to breathe and write, the fiction of truth and the truth of fiction conspire to lead writers and readers alike to approach literature with new eyes as mentioned in this paper.

Postmodernism and History

David Goodman
TL;DR: The authors argue that the postmodernist critique of modernism, far from being alien or outside the disciplines which make up American Studies, go to the heart of their disputes about whether a whole culture can be the object of their studies.