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The Politics of Postmodernism

TLDR
In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.

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Journal ArticleDOI

The Excremental Ethics of Samuel R. Delany

Mary Catherine Foltz
- 01 Jan 2008 - 
TL;DR: In this article, the author describes a long dumb chorus of forbidden voices, voices of sexes and lusts, voices veil'd and I remove the veil, voices indecent by me clarified and transfigur'd.
Dissertation

'n Weg na betekenis : 'n gevallestudie van letterlike en figuurlike ikonografie van Bybelse eksegese

TL;DR: In this article, a critical analysis of the relationship between form and function in contemporary iconography that contains religious themes is presented, and two divergent methods through which religiously-inspirediconography can be employed in the construction of visual texts.
Journal ArticleDOI

Pickled histories, bottled stories : recuperative narratives in The God of Small Things

TL;DR: The God of Small Things (Arundhati Roy 1997) as discussed by the authors explores the various ways in which The God of small things interrogates and rewrites versions of histories by blurring the boundaries between the personal and the political.