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The Politics of Postmodernism

TLDR
In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.

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Dissertation

Boundaries in cyberpunk fiction: william gibson's neuromancer trilogy, bruce sterling's schismatrix, and neal stephenson's snow crash

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of postmodern parody of postmodern parody of postmodern parody of postmodern parody of postmodern parody

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Journal ArticleDOI

Don DeLillo's THE NAMES

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Journal ArticleDOI

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Interrogating History or Making History? Vonnegut's Slaughterhouse-Five, DeLillo's Libra, and the Shaping of Collective Memory

TL;DR: The authors examined the role of fiction in creating our collective memory of the past and pointed out the tendency of much post-modern literature dealing with history to paradoxically question supposedly veridical accounts of history while simultaneously asserting the truthfulness of certain aspects of their own historical accounts.