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The Politics of Postmodernism

TLDR
In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract
General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.

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Dissertation

Premonition of a future line we will be writing: Politics, Language and Identity in Experimental English Canadian Poetry

TL;DR: Rabinowitz et al. as mentioned in this paper presented an English Ph.D. dissertation with a focus on English major and advisor Paula Rabinowitz, who was an English teacher at the University of Minnesota.

Approaching photographic ekphrasis

TL;DR: This paper analyzed the ekphrastic sequences in post-modern writer Tomas Eloy Martinez's novel, Santa Evita (1995), in which the photographic descriptions of Eva Peron are a recurring theme.
Book ChapterDOI

Horror “After Theory”

TL;DR: In this article, Enright explores the ways in which Paul Tremblay's novel, A Head Full of Ghosts, helps situate the horror genre within conversations about literature "after" literary theory.