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Journal ArticleDOI

Preference of Experience in Image Tone-Mapping: Dataset and Framework for Objective Measures Comparison

TLDR
A subjective experiment attempting to determine users’ preference with respect to these two types of content in two different viewing scenarios—with and without the HDR reference shows that the absence of the reference can significantly influence the subjects' preferences for the natural images, while no significant impact has been found in the case of the synthetic images.
Abstract
The popularity of high dynamic range (HDR) imaging has grown in both academic and private research sectors. Since the native visualization of HDR content still has its limitations, the importance of dynamic range compression (i.e., tone-mapping) is very high. This paper evaluates observers’ preference of experience in context of image tone-mapping. Given the different nature of natural and computer-generated content, the way observers perceive the quality of tone-mapped images can be fundamentally different. In this paper, we describe a subjective experiment attempting to determine users’ preference with respect to these two types of content in two different viewing scenarios—with and without the HDR reference. The results show that the absence of the reference can significantly influence the subjects’ preferences for the natural images, while no significant impact has been found in the case of the synthetic images. Moreover, we introduce a benchmarking framework and compare the performance of selected objective metrics. The resulting dataset and framework are made publicly available to provide a common test bed and methodology for evaluating metrics in the considered scenario.

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Citations
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Journal ArticleDOI

Wide Color Gamut Image Content Characterization: Method, Evaluation, and Applications

TL;DR: The framework fulfils content characterization for studies where quality of experience of wide color gamut stimuli is involved and is applied to content selection in a gamut mapping evaluation scenario in order to enhance reliability and robustness of the evaluation results.
Book ChapterDOI

Vision models for tone mapping in cinema

TL;DR: This chapter presents effective tone mapping and inverse tone mapping algorithms for production, post-production and exhibition, and shows that state-of-the-art image quality metrics are not capable of predicting observers' preferences for tone mapped results.
Journal ArticleDOI

Wide Color Gamut Image Content Characterization: Method, Evaluation, and Applications

TL;DR: In this paper, the authors proposed a novel framework to characterize a wide color gamut image content based on perceived quality due to the processes that change colour gamut, and demonstrate two practical use cases where the framework can be applied.
Journal ArticleDOI

Image Quality Evaluation in Professional HDR/WCG Production Questions the Need for HDR Metrics

TL;DR: In this article , the authors show that the performance of HDR metrics is worse than that of a classic, simple standard dynamic range (SDR) metric applied directly to the HDR content, and that the chrominance metrics specifically developed for HDR/WCG imaging have poor correlation with observer scores.
References
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Journal ArticleDOI

Comparing the areas under two or more correlated receiver operating characteristic curves: a nonparametric approach.

TL;DR: A nonparametric approach to the analysis of areas under correlated ROC curves is presented, by using the theory on generalized U-statistics to generate an estimated covariance matrix.
Journal ArticleDOI

Making a “Completely Blind” Image Quality Analyzer

TL;DR: This work has recently derived a blind IQA model that only makes use of measurable deviations from statistical regularities observed in natural images, without training on human-rated distorted images, and, indeed, without any exposure to distorted images.
Proceedings ArticleDOI

Photographic tone reproduction for digital images

TL;DR: The work presented in this paper leverages the time-tested techniques of photographic practice to develop a new tone reproduction operator and uses and extends the techniques developed by Ansel Adams to deal with digital images.
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