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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.Abstract:
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.read more
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‘Samsó i Dalila’, d'[Agrave]ngel Ferran: Un exemple de Paròdia i Metaficció a la literatura Catalana dels Anys Vint
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‘Naipaul’s daughter’? Queer/cross-racial satire in Valmiki’s Daughter
TL;DR: Shani Mootoo's Valmiki's Daughter (2008) is mostly set in Trinidad's East Indian minority community, one which becomes associated both with (hetero)normativity and with a subversion of the ‘nationa...
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Copying CosbyPornmimicries of Race, Sexuality, and Gender
TL;DR: The authors explored pornography to explore the politics of race, gender, and sexuality at play in mimetic performances of Bill Cosby's The Cosby Show, revealing the racial, sexual, and class politics of authenticity critical to mimesis as a salient technology for the reproduction of blackness in visual culture.
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Поэтика пародийности в доэмигрантском творчестве Игоря Северянина
TL;DR: In this article, the author analyzes selected works by the poet Igor Severianin from the period before his emigration (1908-1918) in the context of theories of satire, and compares his texts with Symbolist poetry and the Silver Age genre of literary parody.