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A Theory of Parody: The Teachings of Twentieth-Century Art Forms

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TLDR
The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.
Abstract
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.

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Macondo transmariconizado: una lectura torcida del realismo mágico en "Paso del macho" de Juan Carlos Bautista

TL;DR: Bautista et al. as discussed by the authors examina the novela corta mexicana Paso del macho (2011, Juan Carlos Bautista) a partir del realismo magico.
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Laughing it Out: Strategies of Affectively Remembering Dictatorship in Griselda Gambaro's Antígona furiosa

TL;DR: In this article, a study brings into focus the interaction between levels of watchers and the watched in Griselda Gambaro's 1986 work, Antigona furiosa, where the audience sometimes laughs with the buffoon, but then later reflects on it; at other moments, the two men mock and laugh while the audience merely observes their cruelty.

Articulating The Female Subject

Marian Engel
TL;DR: In this article, the authors use fiction about women by women writers to investigate the nature of the contemporary female subject, and they use the heroine Lou, the heroine of Marian Engel's Bear, confronts the difficulties that she has with male domination in an intense relationship with a tame bear.