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A Theory of Parody: The Teachings of Twentieth-Century Art Forms

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TLDR
The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.
Abstract
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.

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Literary Criticism as a Shared Set of Measurement

TL;DR: In this paper, the author's use of five senses, including the five tragedies of the play "Othello", has been studied and the authorship of these senses has been discussed.

L’écriture du génocide dans les littéraures africaine et caribéenne d’expression française: entre transfiguration émotive du réel et mémoire transculturelle

TL;DR: In this paper, the authors present a tourmenté tourmentée for the tourmentes de l’Histoire, which is based on the transfiguration émotive du réel or récit à mi-voi(e)x.
Journal Article

Visual Auto/biography, Hysteria, and the Pedagogical Performance of the "Real"

TL;DR: Hysteria is a theater of femininity and revolt, a fantastic spectacle that delighted the onlookers at La Salpetriere as mentioned in this paper. But what they saw were women bound by constraints wrapped in veils, carefully kept distant, pushed to the side of history and change, nullified, kept out of the way at the edge of the stage.
Journal Article

Picturing Smartness: Cartoons in the New Yorker, Vanity Fair, and Esquire in the Age of Cultural Celebrities

TL;DR: The authors examine the literary single-panel cartoons and caricatures in smart magazines the New Yorker, Vanity Fair, and Esquire, which reflect each magazine's bibliographic code, emphasizing a burgeoning "smart" audience, and efforts to promote popular cultural tastes and celebrities.

Those Very 'Other' Victorians: Interrogating Neo-Victorian Feminism in The Journal of Dora Damage

TL;DR: The Journal of Dora Damage (2006) as discussed by the authors is one of the most detailed and outspoken depictions of Victorian sexuality in recent years, drawing an exaggerated picture of sexual deviance smouldering under a thin veneer of repressed respectability.