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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.Abstract:
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.read more
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Journal ArticleDOI
Reframing the popular: A new approach to parody
TL;DR: This article examined how YouTube videos, self-labeled by their creators as “parody, reframe the meaning structures of copyrighted material, focusing on representations of gender in the music industry.
Book ChapterDOI
When (non) Anglo-Saxon Queers Speak in a Queer Language: Homogeneous Identities or Disenfranchised Bodies?
TL;DR: In an era in which almost all academic disciplines have been critically analysed through the lenses of identity categories such as gender, race, sexuality, class, and so on, the authors acknowledge the relevant role that different perspectives of feminist, post-colonial, gay and lesbian, social and cultural studies have played throughout approximately the last three decades.
Journal ArticleDOI
Novels about the Twentieth Century Mexican Presidential Succession during Four Crisis Periods
TL;DR: The evolution of Mexico's presidential incumbent selection process as portrayed in four novels by politically active journalist-authors is described in this article, which reveals the inner workings of the Mexican presidential succession process at crisis periods in its development, thereby providing in ironic fictional guise a measure of the investigative reportage missing from the controlled establishment press.
Dissertation
James joyce’s mythographical re-writing: the subversion of myth in ulysses
TL;DR: Erten et al. as mentioned in this paper showed that James Joyce subverts the great epic of the western world as well as political, religious and cultural “myths”, in a Barthesian sense, which are imposed on Ireland by the British Empire, the Catholic Church and the patriarchal western tradition.