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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.Abstract:
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.read more
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Not Primitive Enough to Be Considered Modern: Ethnographers, Editors, and the Indigenous Poets of the American Indian Magazine
TL;DR: For example, the first issue of Poetry: A Magazine of Verse dedicated almost solely to Native American poetry was published in February 1917 as mentioned in this paper, with a focus on traditional poetry.
Dissertation
Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene
TL;DR: Sequenza III as discussed by the authors was written in the mid-1960s and is widely available for study and performance, but how can this work be defined? Is it a series of sounds, or phonemes, or the anxious mutterings of a woman?Is it performance art or an operatic mad scene?
Journal ArticleDOI
Dog-Women and She-Devils: The Queering Field of Monstrous Women
TL;DR: The authors investigates how these monstrous bodies model both feminist and queer applications, and how the narratives open spaces for a queer configuration of female heterosexuality, through Bakhtinian excesses, pornography, and S/M.
Striving for the Impossible : The Hegelian background of Judith Butler
TL;DR: In this article, it is claimed that Butler's theory of the relation between the self and the Other, or, between the subject and the constitutive outside, is based on G.W.F.
Journal ArticleDOI
Kenny: shovelling effluence with an old celtic shovel
Susan Carter,Brenda Allen +1 more
TL;DR: Jacobson et al. as discussed by the authors show that Kenny's unusual hero has a Celtic predecessor Niall (circa 1390), a leader willing to subject himself to abjection for the greater good.