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A Theory of Parody: The Teachings of Twentieth-Century Art Forms

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TLDR
The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.
Abstract
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.

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Virtual Landscapes of Memory

TL;DR: In this paper, the authors focus on two World Wide Web projects: the virtual nation of Cyber-Yugoslavia (www.juga.com) and the homepage of former Yugoslav president Tito.

Aesthetics of the Surface: Post-1960s Latin American Queer Rewritings of the Baroque

TL;DR: Bialostozky et al. as mentioned in this paper examine the ways in which four contemporary Latin American authors have rewritten seventeenth-century Baroque aesthetics, histories, and texts by focusing on the queer body.
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The real thing? Adaptations, transformations and burlesques of Shakespeare, historic and post-modern

TL;DR: The practice of adapting great authors to fit current requirements is not just a recent phenomenon, but a centuries-old tradition as mentioned in this paper. But the first great wave of adaptations of Shakespeare came after the period of the closing of theatres in 1642, with the advent of the Restoration in 1660.
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Mocking Discourse Parody as Pedagogy

TL;DR: This article found that students' writing of parodic parables can provide a more persuasive vehicle than conventional academic writing to move students from their intuitive awareness of irony to critical analysis of rhetorical strategies and encourage a more complex view of language choices, audience identification, genres, and persuasion.
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Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations

Paul J. Yoon
- 01 Jan 2008 - 
TL;DR: This article argued that positive stereotypes typically fl ow from Asia into the Asian American imagination and not the other way around, and pointed out that while pernicious stereotypes of the Asian male body in the American context abound, establishing positive performed or mediated Asianmale body types requires looking (oft en literally) to Asia.