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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.Abstract:
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.read more
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"Só para mulheres" (Just for women): Alfonsina Storni's and Clarice Lispector's Transgression of the Women's Page
TL;DR: The women's column or page was a section entirely dedicated to women's concerns, addressed specifically to a female readership, and generally authored by a woman or a female persona as discussed by the authors.
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Fiction and metafiction in Paulo Scott's Habitante irreal
TL;DR: In this article, Scott's Habitante revisits and updates, through an astute combination of fictional and metafictional elements, the foundational narrative of the encounter between white and indigenous peoples, while, at the same time, chronicling the growing disenchantment of the generation that came of age with redemocratization.
Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
TL;DR: The authors analyzed Fernando Pessoa's Sonnet X ( “As to a child, I talked my heart asleep”) as a modernist parody of the Shakespearean sonnet.
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Irony, Disruption and Moral Imperfection
TL;DR: The authors argue that irony is a coping strategy for value incompatibility between different practical identities, and that irony negotiates a golden mean between too little disruption (complete insensitivity toward one's imperfection) and too much disruption (a complete breakdown of practical deliberation and mental health).
Fissured Languages of Empire: Gender, Ethnicity, and Literature in Japan and Korea, 1930s-1950s
TL;DR: Yi et al. as discussed by the authors investigated how Japanese-language literature by Korean writers both emerged out of and stood in opposition to discourses of national language, literature, and identity.