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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.Abstract:
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.read more
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Book ChapterDOI
Parody as Genealogy and Tradition in Nazi Literature in the Americas
TL;DR: Nogueira as mentioned in this paper examines three interrelated aspects of the production of Nazi Literature in the Americas, including how the word "Nazi" is disseminated by the various symbols of Fascism, the historical figure of Adolph Hitler, Neo-Nazi ideology, and the figure of the mediocre artist.
La ironía en el trabajo cinematográfico del canadiense Guy Maddin
TL;DR: Agarwal et al. as mentioned in this paper investigated the configuración of the ironia of the discurso filmico of GuyMaddin bajo the enfoque semiotico greimasiano.
Journal Article
Saroyan's lonely fruitcakes, and other goofs: strategies of resistance to the culture of abundance
TL;DR: In this paper, Barnard revisited Saroyan's critique on the culture of l'abondance regnante of the United States in 'Hosey Gorsey and the Frog' (1968) and found that the writer mettent a nu l’esprit conformiste de l'Americain moyen.