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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.Abstract:
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.read more
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Realidad, Doña Perfecta and Tormento in Dialogue with the 21st century: Fernando Méndez-Leite’s Galdosiana
TL;DR: Galdosiana as mentioned in this paper brings into contact characters from the past and the present to provide the 21st-century audience with fresh perspectives on Galdos's storytelling, language, and campaign to reform the novel and theater of Spain.
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"truth is held in disrepute": o. henry and the dismantling of paradigms
TL;DR: In this article, an intentional breaking of generic expectations lies behind the narrator's use of multifarious literary formulas, and Veblen's sociological ideas are applied to O. Henry's characters.
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Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s
TL;DR: The American underground comix scene in general, and women's comix that flourished as a part of that scene in particular, grew out of and in response to the mainstream American comics scene, which, from its Golden Age to the 1970s, had been ruled and construed in accordance with commercial business practices and assembly-line processes as mentioned in this paper.
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Repeated Borrowing: The Case of “Es ist genug”
TL;DR: For example, the authors discusses paraphrases of the chorale "Es ist genug" in Alban Berg9s Violin Concerto (1935), Bernd Alois Zimmermann9s “Ich wandte mich und sah an alles Unrecht, das geschah unter der Sonne”: Ekklesiastische Aktion (1970), David Del Tredici9s Pop-Pourri (1968), and Christopher Rouse9s Iscariot (1989).
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The Unreliable Traces of the West: Mark Twain's Appropriation of a Symbolical Landscape in Roughing It
TL;DR: In this paper, the fonction des traces dans l'image de l'Ouest presentee par Mark Twain dans Roughing It is discussed. But the traces apparaissent ici comme des signes qui peuvent etre trompeurs and destabilisent la signification symbolique du paysage national depeint par le narrateur.