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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.Abstract:
Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms.read more
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The Game of Meaning: Collage, Montage, and Parody in Kurt Schwitters' Merz
TL;DR: Schwitters's use of trash in his collages had never been intended as an anti-capitalist critique of social relations in its day as mentioned in this paper, and it had originally served to sustain a formalist aesthetics predicated on the autonomy of art from politics.
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The rhetorical use of double‐voiced discourse and feminine style: The U.S. senate debate over the impact of Tailhook ‘91 on admiral Frank B. Kelso II's retirement rank
TL;DR: This paper examined the text and subtext of the 1994 Senate debate over whether Admiral Frank B. Kelso II, chief of Naval Operations during Tailhook ‘91 and its subsequent investigation, should retire with two or four stars.
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‘Superboong! ... ‘: The ambivalence of comedy and differing histories of race
TL;DR: In this paper, the ambivalence of comedy and differing histories of race is explored in the Superboong! comic strip, which is based on the Australian Screen Comedy (ASC) series.
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Hybridizing the canon: Russian-American writers in dialogue with Russian literature
TL;DR: This article showed that Russian-American writers' intertextual use is inextricably linked with a negotiable negation of Russian-related themes, including frequent use of Russian literature.