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From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions.

Patrik N. Juslin
- 01 Sep 2013 - 
- Vol. 10, Iss: 3, pp 235-266
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TLDR
An updated and expanded version of the multi-level framework that aims to explain emotional responses to music in terms of a large set of psychological mechanisms is offered, with the addition of a mechanism corresponding to aesthetic judgments of the music, to better account for typical 'appreciation emotions' such as admiration and awe.
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This article is published in Physics of Life Reviews.The article was published on 2013-09-01 and is currently open access. It has received 423 citations till now. The article focuses on the topics: Aesthetic emotions & Music and emotion.

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Citations
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Brain correlates of music-evoked emotions

TL;DR: Functional neuroimaging studies on music and emotion show that music can modulate activity in brain structures that are known to be crucially involved in emotion, such as the amygdala, nucleus accumbens, hypothalamus, hippocampus, insula, cingulate cortex and orbitofrontal cortex.
Journal ArticleDOI

A conceptual framework for the neurobiological study of resilience

TL;DR: This work proposes a unified theoretical framework for the neuroscientific study of general resilience mechanisms and posits that a positive (non-negative) appraisal style is the key mechanism that protects against the detrimental effects of stress and mediates the effects of other known resilience factors.
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Ten years of a model of aesthetic appreciation and aesthetic judgments : The aesthetic episode – Developments and challenges in empirical aesthetics

TL;DR: The current state of the descriptive information-processing model, and its relation to the major topics in empirical aesthetics today, including the nature of aesthetic emotions, the role of context, and the neural and evolutionary foundations of art and aesthetics are reviewed.
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Predictions and the brain: how musical sounds become rewarding

TL;DR: This work builds on previous theoretical models that emphasize the role of prediction in music appreciation by integrating these ideas with recent neuroscientific evidence to summarize how complex cognitive abilities and cortical processes integrate with fundamental subcortical reward and motivation systems in the brain to give rise to musical pleasure.
References
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Journal ArticleDOI

Grapheme-phoneme correspondence in dyslexic and matched control readers.

TL;DR: Dyslexic readers had particular difficulty with the mixed-mode conditions (V-A, A-V) which required grapheme-phoneme conversion and were particularly error-prone in these conditions if words differed on their end-sound rather than their beginning sound.
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Temporal stability and consistency of aesthetic judgments of beauty of formal graphic patterns

TL;DR: Temporal stability and consistency of nonartists' aesthetic judgments of beauty of formal graphic patterns was assessed, and when items were repeated in an aesthetic judgment task participants responded consistently over trials rather than performing genuine repeated aesthetic judgment of beauty.
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Subjective Criteria for Choice and Aesthetic Judgment of Music: A Comparison of Psychology and Music Students.

TL;DR: In this paper, the subjective criteria on which listeners base their music choices were studied, and the importance of choice in listeners' responses to music was highlighted, but relatively little is known about the subjective factors on which they base their choices.
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