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From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions.

Patrik N. Juslin
- 01 Sep 2013 - 
- Vol. 10, Iss: 3, pp 235-266
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TLDR
An updated and expanded version of the multi-level framework that aims to explain emotional responses to music in terms of a large set of psychological mechanisms is offered, with the addition of a mechanism corresponding to aesthetic judgments of the music, to better account for typical 'appreciation emotions' such as admiration and awe.
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This article is published in Physics of Life Reviews.The article was published on 2013-09-01 and is currently open access. It has received 423 citations till now. The article focuses on the topics: Aesthetic emotions & Music and emotion.

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Citations
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Investigating emotional responses to self-selected sad music via self-report and automated facial analysis

TL;DR: Sad music, and especially sad music with a personal significance, has been shown to evoke a wide span of emotions with a high degree of personal significance as discussed by the authors. But people often listen to sad music in spite of its seemingly negative qualities.
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Effects of Musical Tempo on Musicians' and Non-musicians' Emotional Experience When Listening to Music.

TL;DR: This study confirmed and explained the connection between music tempo and emotional experiences, and their interaction with individuals’ musical training.
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Music evokes vicarious emotions in listeners.

TL;DR: It is hypothesized that, although sad music is perceived as sad, listeners actually feel pleasant emotions concurrent with sadness, and this hypothesis was supported, which led to question whether sadness in the context of art is truly an unpleasant emotion.
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"Telling me not to worry..." Hyperscanning and Neural Dynamics of Emotion Processing During Guided Imagery and Music

TL;DR: Investigating the moment-to-moment interaction in music therapy showed how asymmetry peaks align with the situated cognition of Traveler and Guide along the emotional contour of the music, representing the highs and lows during the therapy process.
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Prevalence of Emotions, Mechanisms, and Motives in Music Listening: A Comparison of Individualist and Collectivist Cultures

TL;DR: A comparison of individualist and collectivist cultures is made in this paper, where the authors find that emotions, mechanisms, and motives in music listening are correlated with individualism and collectivism.
References
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TL;DR: The relationship between Stimulation and Stimulus Information for visual perception is discussed in detail in this article, where the authors also present experimental evidence for direct perception of motion in the world and movement of the self.
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TL;DR: Lakoff and Johnson as mentioned in this paper suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning, and they offer an intriguing and surprising guide to some of the most common metaphors and what they can tell us about the human mind.
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An argument for basic emotions

TL;DR: This work has shown that not only the intensity of an emotion but also its direction may vary greatly both in the amygdala and in the brain during the course of emotion regulation.
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TL;DR: A neurophysiological mechanism appears to play a fundamental role in both action understanding and imitation, and those properties specific to the human mirror-neuron system that might explain the human capacity to learn by imitation are stressed.
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Art as Experience

John Dewey
TL;DR: In this article, Seni Sebagai Pengalaman telah berkembang dan dipertimbangkan secara internasional sebagai karya paling terkenal ying pernah ditulis oleh John Dewey, seorang Amerika, pada struktur formal and efek karakteristik dari semua seni: arsitektur, patung, lukisan, musik and sastra.
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