From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions.
Reads0
Chats0
TLDR
An updated and expanded version of the multi-level framework that aims to explain emotional responses to music in terms of a large set of psychological mechanisms is offered, with the addition of a mechanism corresponding to aesthetic judgments of the music, to better account for typical 'appreciation emotions' such as admiration and awe.About:
This article is published in Physics of Life Reviews.The article was published on 2013-09-01 and is currently open access. It has received 423 citations till now. The article focuses on the topics: Aesthetic emotions & Music and emotion.read more
Citations
More filters
Journal ArticleDOI
On the Enjoyment of Sad Music: Pleasurable Compassion Theory and the Role of Trait Empathy.
David Huron,Jonna K. Vuoskoski +1 more
TL;DR: A general theory of the pleasure of tragic or sad portrayals is presented, suggesting individuals who most enjoy sad musical portrayals experience a pleasurable prosocial affect, amplified by empathetic engagement (fantasy), while experiencing only nominal levels of unpleasant emotional contagion (commiseration).
Journal ArticleDOI
Enjoying Sad Music: Paradox or Parallel Processes?
TL;DR: This article argues that the paradox exists because it is difficult to view the process that generates enjoyment as being part of the same system that also generates the subjective negative feeling, and that an emotion is determined by three critical processes—labeled motivational action tendency (MAT), subjective feeling (SF) and Appraisal.
Journal ArticleDOI
Music listening in classical concerts: Theory, literature review, and research program
Melanie Wald-Fuhrmann,Hauke Egermann,Anna Czepiel,Katherine O'Neill,Christian Weining,Deborah Meier,Wolfgang Tschacher,Folkert Uhde,Jutta Toelle,Martin Tröndle +9 more
TL;DR: The sociological concept of the frame is used to develop a theory of an aesthetic experience with music as the result of encountering sound/music in the context of a specific situation, by presenting a transdisciplinary sub-field of empirical (concert) studies.
Journal ArticleDOI
Mapping the Conceptual Domain of Aesthetic Emotion Terms: A Pile-Sort Study
Georg Hosoya,Ines Schindler,Ursula Beermann,Valentin Wagner,Winfried Menninghaus,Michael Eid,Klaus R. Scherer +6 more
Journal ArticleDOI
Challenges and Opportunities of Predicting Musical Emotions with Perceptual and Automatized Features
Elke B. Lange,Klaus Frieler +1 more
TL;DR: In this paper, the authors assumed the roles of researchers without further technical MIR experience and set out to test in an exploratory way its opportunities and challenges in the specific context of musical emotion perception.
References
More filters
Book
The Ecological Approach to Visual Perception
TL;DR: The relationship between Stimulation and Stimulus Information for visual perception is discussed in detail in this article, where the authors also present experimental evidence for direct perception of motion in the world and movement of the self.
Book
Metaphors We Live By
George Lakoff,Mark Johnson +1 more
TL;DR: Lakoff and Johnson as mentioned in this paper suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning, and they offer an intriguing and surprising guide to some of the most common metaphors and what they can tell us about the human mind.
Journal ArticleDOI
An argument for basic emotions
TL;DR: This work has shown that not only the intensity of an emotion but also its direction may vary greatly both in the amygdala and in the brain during the course of emotion regulation.
Journal ArticleDOI
The mirror-neuron system.
TL;DR: A neurophysiological mechanism appears to play a fundamental role in both action understanding and imitation, and those properties specific to the human mirror-neuron system that might explain the human capacity to learn by imitation are stressed.
Book
Art as Experience
TL;DR: In this article, Seni Sebagai Pengalaman telah berkembang dan dipertimbangkan secara internasional sebagai karya paling terkenal ying pernah ditulis oleh John Dewey, seorang Amerika, pada struktur formal and efek karakteristik dari semua seni: arsitektur, patung, lukisan, musik and sastra.
Related Papers (5)
Emotional responses to music: The need to consider underlying mechanisms
Emotions evoked by the sound of music: Characterization, classification, and measurement.
Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion
Anne J. Blood,Robert J. Zatorre +1 more