From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions.
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TLDR
An updated and expanded version of the multi-level framework that aims to explain emotional responses to music in terms of a large set of psychological mechanisms is offered, with the addition of a mechanism corresponding to aesthetic judgments of the music, to better account for typical 'appreciation emotions' such as admiration and awe.About:
This article is published in Physics of Life Reviews.The article was published on 2013-09-01 and is currently open access. It has received 423 citations till now. The article focuses on the topics: Aesthetic emotions & Music and emotion.read more
Citations
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Move me, astonish me… delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative, and neurophysiological correlates.
TL;DR: A comprehensive theory explaining, and further providing hypotheses for the empirical study of, the multiple ways by which people respond to art is presented, by combining several recent lines of theoretical research into a new integrated approach built around three processing checks.
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The language of music
TL;DR: The development of communication skills is essential for intellectual, emotional and social development and so a babys first years are vital for language acquisition, as Liz Scott Hall explains as discussed by the authors, and the first years of a child's life is crucial for language development.
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The Distancing–Embracing model of the enjoyment of negative emotions in art reception
Winfried Menninghaus,Valentin Wagner,Julian Hanich,Eugen Wassiliwizky,Thomas Jacobsen,Stefan Koelsch +5 more
TL;DR: It is argued that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only, and it is proposed that concomitant mixed emotions often help integrate negative emotions into altogether pleasurable trajectories.
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Dopamine modulates the reward experiences elicited by music.
Laura Ferreri,Ernest Mas-Herrero,Robert J. Zatorre,Pablo Ripollés,Alba Gomez-Andres,Helena Alicart,Guillem Olivé,Josep Marco-Pallarés,Rosa M. Antonijoan,Marta Valle,Jordi Riba,Antoni Rodríguez-Fornells,Antoni Rodríguez-Fornells +12 more
TL;DR: A causal role of dopamine in musical pleasure is shown and indicates that dopaminergic transmission might play different or additive roles than the ones postulated in affective processing so far, particularly in abstract cognitive activities.
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What are aesthetic emotions
Winfried Menninghaus,Valentin Wagner,Eugen Wassiliwizky,Ines Schindler,Julian Hanich,Thomas Jacobsen,Stefan Koelsch +6 more
TL;DR: Following Kant’s definition, it is proposed that it is the first and foremost characteristic of aesthetic emotions to make a direct contribution to aesthetic evaluation/appreciation.
References
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