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From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions.

Patrik N. Juslin
- 01 Sep 2013 - 
- Vol. 10, Iss: 3, pp 235-266
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TLDR
An updated and expanded version of the multi-level framework that aims to explain emotional responses to music in terms of a large set of psychological mechanisms is offered, with the addition of a mechanism corresponding to aesthetic judgments of the music, to better account for typical 'appreciation emotions' such as admiration and awe.
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This article is published in Physics of Life Reviews.The article was published on 2013-09-01 and is currently open access. It has received 423 citations till now. The article focuses on the topics: Aesthetic emotions & Music and emotion.

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Citations
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Journal ArticleDOI

Brain correlates of music-evoked emotions

TL;DR: Functional neuroimaging studies on music and emotion show that music can modulate activity in brain structures that are known to be crucially involved in emotion, such as the amygdala, nucleus accumbens, hypothalamus, hippocampus, insula, cingulate cortex and orbitofrontal cortex.
Journal ArticleDOI

A conceptual framework for the neurobiological study of resilience

TL;DR: This work proposes a unified theoretical framework for the neuroscientific study of general resilience mechanisms and posits that a positive (non-negative) appraisal style is the key mechanism that protects against the detrimental effects of stress and mediates the effects of other known resilience factors.
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Ten years of a model of aesthetic appreciation and aesthetic judgments : The aesthetic episode – Developments and challenges in empirical aesthetics

TL;DR: The current state of the descriptive information-processing model, and its relation to the major topics in empirical aesthetics today, including the nature of aesthetic emotions, the role of context, and the neural and evolutionary foundations of art and aesthetics are reviewed.
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Predictions and the brain: how musical sounds become rewarding

TL;DR: This work builds on previous theoretical models that emphasize the role of prediction in music appreciation by integrating these ideas with recent neuroscientific evidence to summarize how complex cognitive abilities and cortical processes integrate with fundamental subcortical reward and motivation systems in the brain to give rise to musical pleasure.
References
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Book

Art and Its Messages: Meaning, Morality, and Society

TL;DR: The authors brings together essays by leading philosophers of art who consider what can be learned from the meaning of art about society, morality, and life in general, and reveal the recent revitalization of humanist concerns in describing art and its significance.
Journal Article

Expressivity comes from your soul: A questionnaire study of music students' perspectives on expressivity

TL;DR: This article conducted an exploratory study in which 135 students from music conservatories in three countries (England, Italy, Sweden) filled out a questionnaire that addressed four themes: (a) conceptualizing expressivity, (b) expressivity in everyday practice, (c) expressiveness in music teaching, and (d) novel teaching strategies.
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Normative and scientific approaches to the understanding and evaluation of art.

TL;DR: The psycho-historical framework proposes that appreciators' responses to art vary as a function of their sensitivity to its historical dimensions, but the explanatory power of that framework is limited insofar as it assimilates relevantly different kinds of appreciation.
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