From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions.
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TLDR
An updated and expanded version of the multi-level framework that aims to explain emotional responses to music in terms of a large set of psychological mechanisms is offered, with the addition of a mechanism corresponding to aesthetic judgments of the music, to better account for typical 'appreciation emotions' such as admiration and awe.About:
This article is published in Physics of Life Reviews.The article was published on 2013-09-01 and is currently open access. It has received 423 citations till now. The article focuses on the topics: Aesthetic emotions & Music and emotion.read more
Citations
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Neuroplasticity beyond Sounds: Neural Adaptations Following Long-Term Musical Aesthetic Experiences.
Mark Reybrouck,Elvira Brattico +1 more
TL;DR: A cybernetic and ecological point of view on the musical aesthetic experience is adopted, which includes subprocesses, such as feature extraction and integration, early affective reactions and motor actions, style mastering and conceptualization, emotion and proprioception, evaluation and preference, which result in lasting changes of the internal state of the “agent”.
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The auditory cortex hosts network nodes influential for emotion processing: An fMRI study on music-evoked fear and joy.
TL;DR: This study reveals that anterior and posterior regions of auditory association cortex have emotion-characteristic functional connectivity with limbic/paralimbic (insula, cingulate cortex, and striatum), somatosensory, visual, motor-related, and attentional structures and hosts regions that are influential within networks underlying the affective processing of auditory information.
Book
A Musicology of Performance: Theory and Method Based on Bach's Solos for Violin
TL;DR: In this article, a detailed investigation of recent recordings of J. S. Bach's Six Sonatas and Partitas for Solo Violin is presented, and it is shown that music performance functions as a complex dynamical system.
Journal ArticleDOI
Two types of peak emotional responses to music: The psychophysiology of chills and tears.
Kazuma Mori,Makoto Iwanaga +1 more
TL;DR: Results show that tears involve pleasure from sadness and that they are psychophysiologically calming; thus, psychophysiological responses permit the distinction between chills and tears.
Journal ArticleDOI
From Sound to Significance: Exploring the Mechanisms Underlying Emotional Reactions to Music.
TL;DR: It is concluded that a satisfactory account of musical emotions requires consideration of how musical features and responses are mediated by a range of underlying mechanisms.
References
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