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Sensorimotor synchronization: A review of recent research (2006–2012)

TLDR
It is evident that much new knowledge about SMS has been acquired in the last 7 years, and more recent research in what appears to be a burgeoning field is surveyed.
Abstract
Sensorimotor synchronization (SMS) is the coordination of rhythmic movement with an external rhythm, ranging from finger tapping in time with a metronome to musical ensemble performance. An earlier review (Repp, 2005) covered tapping studies; two additional reviews (Repp, 2006a, b) focused on music performance and on rate limits of SMS, respectively. The present article supplements and extends these earlier reviews by surveying more recent research in what appears to be a burgeoning field. The article comprises four parts, dealing with (1) conventional tapping studies, (2) other forms of moving in synchrony with external rhythms (including dance and nonhuman animals’ synchronization abilities), (3) interpersonal synchronization (including musical ensemble performance), and (4) the neuroscience of SMS. It is evident that much new knowledge about SMS has been acquired in the last 7 years.

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Journal ArticleDOI

The ADaptation and Anticipation Model (ADAM) of sensorimotor synchronization

TL;DR: The conceptual basis and architecture of ADAM is described, which combines reactive error correction processes (adaptation) with predictive temporal extrapolation processes (anticipation) inspired by the computational neuroscience concept of internal models and creates a novel and promising approach for exploring adaptation and anticipation in SMS.
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The evolutionary neuroscience of musical beat perception: the Action Simulation for Auditory Prediction (ASAP) hypothesis

TL;DR: It is argued that beat perception is a complex brain function involving temporally-precise communication between auditory regions and motor planning regions of the cortex (even in the absence of overt movement), and it is proposed that simulation of periodic movement inMotor planning regions provides a neural signal that helps the auditory system predict the timing of upcoming beats.
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Embodied music cognition and mediation technology

TL;DR: In this paper, Leman examines how these developments might be unified into something that is simultaneously a theory of music cognition and a blueprint for the music mediation technology of the future, and the main mediating principle elaborated on in the monograph, which is more intellectual discourse than textbook, is rooted in the belief that musical interactions are socially charged, embodied affairs.
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Finding the beat: a neural perspective across humans and non-human primates

TL;DR: It is suggested that a cross-species comparison of behaviours and the neural circuits supporting them sets the stage for a new generation of neurally grounded computational models for beat perception and synchronization.
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Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination.

TL;DR: This review article addresses the psychological processes and brain mechanisms that enable rhythmic interpersonal coordination and highlights musical ensemble performance as an ecologically valid yet readily controlled domain for investigating rhythm in joint action.
References
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Journal ArticleDOI

Distinct neural substrates of duration-based and beat-based auditory timing.

TL;DR: The results support two distinct timing mechanisms and underlying subsystems: first, a network comprising the inferior olive and the cerebellum that acts as a precision clock to mediate absolute, duration-based timing, and second, a distinct network for relative, beat- based timing incorporating a striato-thalamo-cortical network.
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Social coordination dynamics: Measuring human bonding

TL;DR: A new way to quantify interpersonal interactions in real time is proposed, revealing that spontaneous phase synchrony between two people emerges as soon as they exchange visual information, even if they are not explicitly instructed to coordinate with each other.
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Effects of Visual and Verbal Interaction on Unintentional Interpersonal Coordination.

TL;DR: The degree to which visual and verbal (conversation) interaction constrains and organizes the rhythmic limb movements of coactors is uncovered, raising questions concerning differences between visual andverbal informational linkages during interaction.
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Sensorimotor Coupling in Music and the Psychology of the Groove

TL;DR: It is concluded that groove can be treated as a psychological construct and model system that allows for experimental exploration of the relationship between sensorimotor coupling with music and emotion.
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Follow you, follow me: Continuous mutual prediction and adaptation in joint tapping

TL;DR: It is proposed that interpersonal coordination is facilitated by the mutual abilities to predict the other's subsequent action and adapt accordingly on a millisecond timescale.
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