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Sensorimotor synchronization: A review of recent research (2006–2012)

TLDR
It is evident that much new knowledge about SMS has been acquired in the last 7 years, and more recent research in what appears to be a burgeoning field is surveyed.
Abstract
Sensorimotor synchronization (SMS) is the coordination of rhythmic movement with an external rhythm, ranging from finger tapping in time with a metronome to musical ensemble performance. An earlier review (Repp, 2005) covered tapping studies; two additional reviews (Repp, 2006a, b) focused on music performance and on rate limits of SMS, respectively. The present article supplements and extends these earlier reviews by surveying more recent research in what appears to be a burgeoning field. The article comprises four parts, dealing with (1) conventional tapping studies, (2) other forms of moving in synchrony with external rhythms (including dance and nonhuman animals’ synchronization abilities), (3) interpersonal synchronization (including musical ensemble performance), and (4) the neuroscience of SMS. It is evident that much new knowledge about SMS has been acquired in the last 7 years.

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Journal ArticleDOI

The ADaptation and Anticipation Model (ADAM) of sensorimotor synchronization

TL;DR: The conceptual basis and architecture of ADAM is described, which combines reactive error correction processes (adaptation) with predictive temporal extrapolation processes (anticipation) inspired by the computational neuroscience concept of internal models and creates a novel and promising approach for exploring adaptation and anticipation in SMS.
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The evolutionary neuroscience of musical beat perception: the Action Simulation for Auditory Prediction (ASAP) hypothesis

TL;DR: It is argued that beat perception is a complex brain function involving temporally-precise communication between auditory regions and motor planning regions of the cortex (even in the absence of overt movement), and it is proposed that simulation of periodic movement inMotor planning regions provides a neural signal that helps the auditory system predict the timing of upcoming beats.
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Embodied music cognition and mediation technology

TL;DR: In this paper, Leman examines how these developments might be unified into something that is simultaneously a theory of music cognition and a blueprint for the music mediation technology of the future, and the main mediating principle elaborated on in the monograph, which is more intellectual discourse than textbook, is rooted in the belief that musical interactions are socially charged, embodied affairs.
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Finding the beat: a neural perspective across humans and non-human primates

TL;DR: It is suggested that a cross-species comparison of behaviours and the neural circuits supporting them sets the stage for a new generation of neurally grounded computational models for beat perception and synchronization.
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Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination.

TL;DR: This review article addresses the psychological processes and brain mechanisms that enable rhythmic interpersonal coordination and highlights musical ensemble performance as an ecologically valid yet readily controlled domain for investigating rhythm in joint action.
References
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Journal ArticleDOI

Beyond the beat: Modeling metric structure in music and performance

TL;DR: A model for describing the general metric structure of audio signals and behavioral data is presented, which employs reson filters, rather than the comb filters used in earlier models.
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Dyadic drumming across the lifespan reveals a zone of proximal development in children

TL;DR: It is concluded that IAS improves from middle childhood to adulthood and that adult interaction partners may facilitate its development.
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A Neuro-Mechanical Model for Interpersonal Coordination

TL;DR: Both the variability of the behavior and the shift in the intended relative phase were found to depend on the task-effector asymmetry, i.e., the difference between the mechanical properties of the effector systems involved.
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The Build-Up and Transfer of Sensorimotor Temporal Recalibration Measured via a Synchronization Task.

TL;DR: It is demonstrated that a sensorimotor synchronization task (i.e., tapping the index finger in synchrony with a pacing signal) can be used as a measure of temporal recalibration.
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Timings and interactions of skilled musicians

TL;DR: The alternating renewal model enables us to propose a note-generation process that has implications for the central generators underlying the observed behavior and their hierarchical organization and the implications of this model for the organization and execution of more complex motor sequences.
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