Sensorimotor synchronization: A review of recent research (2006–2012)
Bruno H. Repp,Yi-Huang Su +1 more
TLDR
It is evident that much new knowledge about SMS has been acquired in the last 7 years, and more recent research in what appears to be a burgeoning field is surveyed.Abstract:
Sensorimotor synchronization (SMS) is the coordination of rhythmic movement with an external rhythm, ranging from finger tapping in time with a metronome to musical ensemble performance. An earlier review (Repp, 2005) covered tapping studies; two additional reviews (Repp, 2006a, b) focused on music performance and on rate limits of SMS, respectively. The present article supplements and extends these earlier reviews by surveying more recent research in what appears to be a burgeoning field. The article comprises four parts, dealing with (1) conventional tapping studies, (2) other forms of moving in synchrony with external rhythms (including dance and nonhuman animals’ synchronization abilities), (3) interpersonal synchronization (including musical ensemble performance), and (4) the neuroscience of SMS. It is evident that much new knowledge about SMS has been acquired in the last 7 years.read more
Citations
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The ADaptation and Anticipation Model (ADAM) of sensorimotor synchronization
TL;DR: The conceptual basis and architecture of ADAM is described, which combines reactive error correction processes (adaptation) with predictive temporal extrapolation processes (anticipation) inspired by the computational neuroscience concept of internal models and creates a novel and promising approach for exploring adaptation and anticipation in SMS.
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The evolutionary neuroscience of musical beat perception: the Action Simulation for Auditory Prediction (ASAP) hypothesis
TL;DR: It is argued that beat perception is a complex brain function involving temporally-precise communication between auditory regions and motor planning regions of the cortex (even in the absence of overt movement), and it is proposed that simulation of periodic movement inMotor planning regions provides a neural signal that helps the auditory system predict the timing of upcoming beats.
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Embodied music cognition and mediation technology
Peter E. Keller,Petr Janata +1 more
TL;DR: In this paper, Leman examines how these developments might be unified into something that is simultaneously a theory of music cognition and a blueprint for the music mediation technology of the future, and the main mediating principle elaborated on in the monograph, which is more intellectual discourse than textbook, is rooted in the belief that musical interactions are socially charged, embodied affairs.
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Finding the beat: a neural perspective across humans and non-human primates
TL;DR: It is suggested that a cross-species comparison of behaviours and the neural circuits supporting them sets the stage for a new generation of neurally grounded computational models for beat perception and synchronization.
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Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination.
TL;DR: This review article addresses the psychological processes and brain mechanisms that enable rhythmic interpersonal coordination and highlights musical ensemble performance as an ecologically valid yet readily controlled domain for investigating rhythm in joint action.
References
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Mutual adaptive timing in interpersonal action coordination.
TL;DR: In this paper, a dyadic finger-tapping task was used to investigate whether mutual adaptive timing is predominated by assimilation (i.e., copying relative timing, akin to mimicry) or compensation (local error correction).
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Hearing a melody in different ways: multistability of metrical interpretation, reflected in rate limits of sensorimotor synchronization.
TL;DR: By showing that a self-imposed beat can affect sensorimotor synchronization, the present results provide objective evidence for endogenous perceptual organization of metrical sequences and hypothesized that metrical interpretation rests upon covert rhythmic action.
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Effect of Network Latency on Interactive Musical Performance
TL;DR: In this paper, the effects of different levels of delay (or latency) on the coordination, pace and timing regularity of musicians who are in remote locations were investigated, where two pairs of musicians performed Mozart duets while isolated visually and connected through microphones and headphones.
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Rhythmic synchrony and mediated interaction: towards a framework of rhythm in embodied interaction
TL;DR: This paper explores the arena of research into rhythm in human interaction, musical and linguistic, with a focus on the movements of body and voice and draws together salient issues and ideas that would form the basis for a framework of rhythm in embodied interaction.
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